STEE ALCON WYRICK
CV
SUMMARY
I am a composer for film and other visual media with extensive training in music, experience, creativity, self-discipline, and collaborative skills. I am looking for job opportunities in my field, including (but not limited to) composing, orchestrating, copying, instrument sampling, and assistantship duties.
TECHNICAL SKILLS
I am expert in a wide range of music software, including Logic Pro, Sibelius, Finale, Pro Tools, Keyboard Maestro, and Digital Performer.
LINKS
Demo reels:
EDUCATION
Eastman School of Music (2021-2023, MM: Film Scoring and Contemporary Media). Professors: Mark Watters, Dave Rivello, and Jeff Beal.
Peabody Institute, Johns Hopkins University (2017-2021, BM: Music Composition). Professor: Kevin Puts.
POSITIONS HELD
Artistic Director of the Music, but Everybody Is Quarantined Collective (2020-present)
SELECT FILM CREDITS
As Composer:
Cached (2024, dir. Michael Filippi, narrative live action short)
Chantal in Fairyland (2024, additional composer, dir. Bora Dagtekin, narrative live action feature)
Tadpole (2023, dir. Diane Catsburrow Linnet, narrative animated short)
Drawn Out (2023, dir. Thomas Johnson, narrative animated short)
El Puente de los Suspiros (2023, dir. Jalexa Gutierrez, narrative animated short)
Ratsel and Gretel (2023, dir. Nathan Miller, narrative animated short)
Sugar Splats (2022, dir. Nathan Miller, narrative animated short)
Bog Bodies (2022, dir. Kelsey Winstanley, narrative animated short)
Injected (2021, dir. Alanah Wherry, narrative animated short)
Gleaming (2018, dir. Shiyu Wang, narrative live action short)
As Orchestrator:
Camel (2023, dir. Rui Yao, comp. Ruichao Wu, live action feature)
SELECT COPYING CREDITS
TBA (2026). Supervisor: Timothy Rodier. To be available for purchase at Omni Music Publishing.
TBA (2026). Supervisor: Timothy Rodier. To be available for purchase at Omni Music Publishing.
Peter Pan in Full Score (2025). Composer: James Newton Howard. Supervisor: Timothy Rodier. For purchase at Omni Music Publishing.
The Magnificent Seven in Full Score (2025). Composer: Elmer Bernstein. Supervisor: Timothy Rodier. For purchase at Omni Music Publishing.
(of) Time and Time Past (2022). Composer: Dave Rivello. For performance at the Beal Institute Annual Visual Media Concert, Eastman School of Music.
SELECT NON-FILM WORKS
Compositions (performed live):
Portrait of Elaine (2023, flute/horn/string quartet/piano, 30:00 mins.)
A Better Time (2022, violin/cello/piano, 5:10 mins.)
Elegy (2021, orchestra, 11:30 mins.)
Dani's Theme (2020, flute, 3:35 mins.)
Compositions (mock-ups):
Sections, Seasons, Intersection (2025, orchestra, 36:45 combined)
March of the Macabre (2024, orchestra, 7:15 mins.)
An Elegant Swiftness (2024, orchestra, 6:45 mins.)
The Tragic Tale of Porphyrio (2024, oboe/piano, 5:00 mins.)
In Wait (2023, orchestra/electronics, 5:00 mins.)
For Grace (2023, cello/orchestra, 1:30 mins.)
Suite from Lunacy (2022, orchestra, 60:00 mins.)
The Trombones Lead the Charge (2021, orchestra/electronics, 3:00 mins.)
Arrangements:
Adagio for (Another Set of) Strings (2024, comp. Samuel Barber, 2 viola sections/2 cello sections/1 bass section, 13:00 mins.)
Little by Little (2020, comp. Natalie Sleeth, piccolo/flute/ukulele/percussion/bass/celesta/piano, 2:00 mins.)
SELECT AWARDS
Eastman West Residency in Agoura Hills (2023, Eastman School of Music)
Gustav Klemm Prize in Composition (2021, Peabody Institute)
Randolph S. and Amalie Rothschild Scholarship (2021, Peabody Institute)
$8,000 Merit Scholarship (2016, Interlochen Arts Camp)